THE PERFORMER AS AN EXPRESSIVE MEDIUM OF A PEOPLE

Authors

  • Chukualuka Akoni Delta State University, Abraka, Nigeria Author
  • Adanma Anthonia Eguvwebere Delta State University, Abraka, Nigeria Author

Keywords:

Cultural Identity, Social Commentary and Expressive Medium, Performers

Abstract

This paper explores the role of the performer as the expressive medium for a community. In doing so, it would investigate how the performer protects belonging to the country, provides social commentary, and produces fresh art. The paper adopts a multidisciplinary approach in which it depicts how the performers maintain traditions, reflect the collective memory, and build ties between individuals through rituals, storytelling, and indigenous cultural forms. In addition, the text also explores the contribution of the performers’ social critique and activism. It also considers the functions of satire, music and theatre in political resistance. We cite various Nigerian performers such as MC Edo Pikin, Mr Macaroni, I Go Dye, and Falz in this context. Here, the study shows that humour, digital media, and performance art are combined to break the silence and advocate for change in various socio-political situations. Insights are also drawn from the fact that globalisation and digital technology and new tools of expression presented in performances are inspiring the development of new forms of cultural expression and intercultural interaction. However, despite the many challenges facing performers, such as commercialisation, cultural appropriation, and the lack of institutional support for traditional arts in Nigeria, performers have yet to give up. They adapt their practices to preserve authenticity and participate in different types of audiences.

Author Biographies

  • Chukualuka Akoni, Delta State University, Abraka, Nigeria

    Department of Theatre Arts

  • Adanma Anthonia Eguvwebere, Delta State University, Abraka, Nigeria

    Department of English and Literary Studies

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Published

2025-05-15

Issue

Section

Articles

How to Cite

THE PERFORMER AS AN EXPRESSIVE MEDIUM OF A PEOPLE. (2025). EXISTENTIA: CONCRESCENCE JOURNAL OF ARTS AND HUMANITIES, 3(1). https://journals.casjournals.com/index.php/ECOJAH/article/view/50

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